The weeks are certainly flying by. One minute you're moaning about the heat and eye searingly bright sunlight, then you blink and find yourself hurtling towards the end of the year, with Perry Como's rendition of Joy to the World blasting out whilst you press the pause button to drink your soya latte in the coffee shop. It's probably a sign of old age. Everything else seems to be.
Life's been busy, with mostly mundane but necessary stuff. These days, we 're spending more time at home and I don't walk as much as I probably should (the mister is still managing the dog walking so I'm not yet needed for that) but I enjoyed a solitary wander and leg stretch round the neighbourhood, having a good old poke about in the hedgerows and stopping to exchange pleasantries with a friend's horse (who, I'm sure, would have preferred to have been on the receiving end of something rather more edible).
It's still colourful out there, despite all the rain and sog (which has been nothing like as extreme as that being experienced in other parts of the country), though you do get a sense of a season on the cusp (one morning Jack Frost had covered the the car windscreen with the most beautiful icy fronds). I love the palette at this time of year, though they're colours that don't feature indoors at all. Well, apart from in a vase or pot. And I'm currently undecided about a ginger coloured shirt (satin, no less) which is waiting patiently in an online basket.
At the end of last month, me and the Boy were very lucky to get to hear Margaret Atwood in conversation at the Symphony Hall in Birmingham. After a tricky rail journey (two trainloads of passengers absorbed into one with only four carriages) and checking in at the hotel much later than planned, we found ourselves with just enough time to squeeze in a much needed dinner at Carluccio's.
Margaret (it feels like we should be on first name terms, I've read so many of her books) didn't disappoint and I loved seeing her walk onto the stage clutching her handbag. Honestly, I could sit and listen to authors talk about their work and the writing process until the cows come home.
Birmingham is a city I'm not at all familiar with (I used to change trains at New Street on my way home from university and I once spent a day shopping there with Aunty M when I was in my teens). There wasn't much time to explore during this overnight stay but it had a good feel, people were friendly and it was good to see the bull suitably rigged out in readiness for Hallowe'en.
November's book subscription box didn't disappoint, either, with a planner, bookmark, notebook, pen, zipped bag, a pin and Doris Lessing's The Golden Notebook (which has been on my reading list for yonks). There's just something about receiving a boxful of book related surprises each month and, so far, I've been sent titles I haven't read previously.
A charity shop forage yielded a copy of Val McDermid's The Distant Echo, a writer I know only through the telly. This is a crime novel of the 'did they, didn't they and, if they didn't, who did' kind, an easy and enjoyable read, just maybe a tad slow and drawn out in parts. I'll certainly be on the lookout for more in the series.
The current book at bedtime is the second novel from Will Dean. Like his earlier Dark Pines, the setting is Sweden and the story similarly features hearing impaired journalist Tuva Moodyson. I'm not far into it but already there's a strong sense of place. And liquorice.
The now four year old littlest visited at the weekend. Whilst he tucked into his breakfast Cocopops, I chatted to him about this and that (just like I'm doing here). Breaking off from all the munching, he looked up at me and uttered the words, 'Granny, you're really getting on my nerves'.
Dear Reader, I sincerely hope I haven't had the same effect on you.